USSR Recorder

Shellac goes back to the music library – the storage of sound recordings, where the tiers of sections lined with coils of magnetic tape. With this film soundtrack is applied to the lacquer disc with a special cutting tool recording device, cutting out the soundtrack. Converts electrical signals into mechanical tape cutter motion. In the process of lacquer disc does speed with constant speed. Cutter same, cutting grooves, moves in from the edge to the center.

Lacquer disc is a precision product. At its core, has an aluminum substrate (base)-accuracy rolling. Substrate (base) with two sides covered with a layer special varnish thickness of about 0,2 mm. When applying the varnish does not allow foreign inclusions, the value is greater than 1 micron. Polish is in a sterile room in which air enters through electrostatic dust removal system. To varnish also impose strict requirements for cleaning, coating and subsequent drying.

The recorder is a precision electro-mechanical machine that produces a record varnish on the disc. In the room where he is also supported by the sterile cleanliness. To exclude external vibrations, which can be transmitted to the cutter, the recorder is installed on a solid foundation and has interchanges with the building itself. Signals of magnetic tape are converted into electric current, and fall into the field coil recorder. Cores of the coils start to oscillate with a cutter, slicing, so the groove. The resulting shavings removed by vacuum suction, which is located near the cutter.


No financial wholesale clearing model deal with the label music sales launches recordJet a new tariff, specifically aimed at labels, which are somewhat longer in the market. Advantage of the tariff is the clearing of the deployment cost with future revenues. Therefore, no financial inputs are required. “A personal contact and alternative delivery of data per physical disk is available on the services page in the project. We want to make as easy and profitable as possible the way labels to digital distribution”, explains founder Sahar zamani, the introduction of the new tariff.

Like in the previous artist deal, labels will receive 100% of the proceeds from the partner stores (including Amazon and iTunes). The label deal requires a catalog of at least 25 publications. By the new customers recordJet hoped for crucial suggestions in the upcoming expansion of promotion opportunities. To recordJet: the Dresden start-up recordJet allows all musicians and labels, their music worldwide online for sale. Music uploaded on is set in MP3 stores such as iTunes.

There, the music as a download can be purchased. Unlike other providers, the musicians receive 100 percent of the revenue from digital sales without to cede their rights. Versatile value-added services, such as the physical distribution in over 500 stores, make recordJet a full-service. The company was founded in 2008, to open a new sales opportunity for the German music market is also attractive to unknown musicians and small labels. Since April 2010, recordJet is online and continually extends its offering.

Abbey Road Studios

German band will enchant the famous studios in London singer and songwriter mandra (Magdalena Herfurtner) was in 1988 in Munich, pianist and composer Bergerac (Cem Eyupoglu) was born in 1981 in Landsberg, near Munich. Together with cellist and background vocalist Ella, they are Eycromon. Bergerac is the heart and soul of the Eycromon project. He was just 6 years old when he began to learn piano and very quickly developed a great deal of curiosity and passion for the creative flexibility that offered the new generation of synthetic pianos. He landed his first Juno at the age of 9. With his own autodidactic technique and his great abilities, Bergerac was soon resident keyboardist and engineer for many projects in a variety of genres: new wave, dark wave, Electronica, progressive rock. But always he was and is “Avant guard” – and after many stations, he found the perfect synchronicity with mandra. Their goal: to enter with intelligent thought-provoking lyrics and passionate Eycromon new ground Compositions.

Mandra was trained as a classical singer, before she developed their own style in modern music. Soon she realized her lyrical and artistic talent. She got the first singing lessons at the age of 15. A few years later she started her academic studies at the prestigious Munich Academy of music then and worked with famous singers and coaches such as Silvia Greenberg, Wolfgang Brendel and Robert Kettelson. During this time, she was also part of the CD production “Missa Katharina” of Bavarian broadcasting, where she the solo soprano sang the role. When she left the University in 2009, she decided to break new musical ground and in addition to her part project as a singer and songwriter in the Eycromon she also works as a vocal coach in Munich. The third member of the group is backing singer and cellist Ella. Since their 7th year, Ella went studied classical singing and cello to a music school.

Among other things she attended the master classes of Professor Charlotte Lehmann, Prof. Hans-Joachim Beyer, Francoise Pollet, and Bobby (don’t worry be happy) McFerrin. Between Mandra and Ella, you can hear an incredible harmony in the voices that are with the modern electronic beats to a new musical experience for the listener. It is impossible to put Eycromon in a genre or a drawer. In September 2010, Eycromon has signed a 360 publishing deal with the Hamburg-based label ITLamg. Currently, they rehearse album EYCROMANIA very hard in preparation for the recordings for their debut. Included is in the Abbey Road Studios in London.