In the end, another voice, thicker said something it type: Not, nothing of this, were an Italian grandmother who gave meat and bone for it they had been marked by an intense popular participation. She was the retaken one of the great manifestations of mass. Multitudes had after gained the streets many years of silence, years of repression to the social movements, happened of the military dictatorship. At the beginning of the decade many strikes had been deflagradas by the country the rejection; Another movement of much expressividade was of the Direct ones Already, that it took account of Brazil. In the politics, it had a great event locking up the decade, the first direct election for President of the Republic after more than 20 years of militarism. Ana Maria Axe in way to these experiences writes on subjects most diverse for adults and children. Not having perhaps conscience of the importance to be working with the subject afro, having the black as personages of history, bringing tona quarrels on the black and its customs, the example of as if is born black or on the African culture. Exactly thus its book Pretty Girl of the Ribbon Bow, brings as protagonist of the workmanship a black child and according to Cristiane Madanlo to justify the transformation and to write history for suggestion of as the husband, who it in discloses in Countercurrent (Axe to them: 1999): I liked the idea, but I found that the subject of a blond girl, or Snow White, already it was expense excessively.
nor has nothing to see with the reality of Brazil. I transformed then it into one prehad, and I made the necessary changes: the black ink, jabuticabas, the coffee, the black beans, etc. (CRISTIANE MADANLO OF OLIVEIRA.: 2009) Ana Maria Axe deals with this subject of form child well With answers that do not have scientific base none, it clearly leaves this in the proper book, what it finishes making is a trick with the mixture of races and colors that exist, and as this is fruitful in our country.