That is why I dare to conclude that the telenovela-comedia is a genus of hatreds and loves, but weigh him who despite him, has managed to gradually fill in the taste of Latin American viewers who begin to leave their side preventions and are seduced by the same picaresque. In the 1990s it was Mexico who successfully experimented with the genre tragicomic through production Prize, to the actor Carlos Benavides launching pad or better known today as El Huicho Dominguez, his famous character’s name; It was also the launch showcase professional for the renowned actor Diego Luna, who the truth be told, today integrating the Hollywood majors, don’t feel very comfortable that they relate that telenovela-comedia, which unfortunately became a very regular sequel, reason by which its producer chose to not return to step on those lands. Argentina, after Colombia is another of the producing countries that rely fully in the Telenovela-comedia as a valid and respectable, genre so much as the classic soap opera and more catalogs as a facet of the same. Currently the sympathetic telenovela-comedia Argentina LALOLA is seen in several countries with great success, in Colombia it airs nearly incognita by CITY TV; not so long ago Canal RCN made an adapted version of Los Roldan we met as Kings, although it wasn’t a smash TV hit, had his good fans and rightly the channel ended it at the right time. Another telenovela-comedia who enjoyed international reaction and still gratefully remembered is Peter the flaky, which Televisa made his own remake, retaking the tragicomic format very insurance to achieve the same success, but it is difficult that after so many years without producing this genre, Mexican viewers react favorably to it; Perhaps it was La fea mas bella, a caricatured version of Yo soy Betty la fea, which achievement awakening sympathies. Against the background of the great success in Colombia and other countries that emit poor original Nuevo Rico, new version channel Azteca Trece acquired the rights of the libretti and launched this month a mexicanizada version which I call poor rich poor, that is success or failure depends in principle of both flawed of the conservative Mexican viewers taste headquarters before the self-assurance and irreverence of a story written by Colombians with the animo entertain, taunting us of ourselves and better, as we say in these lands, from sucking cock to life..